I think it was Joe Glyda that instilled in me the fact (which should have been obvious) that there is only one Sun. Trying to make you lighting too complicated can leave you with images that visually don’t make a lot of sense. Things like shadows going in two directions just isn’t natural. I’ve been paring back my lighting to just a basic one light setup. Recently I saw a video by Daniel Norton that made lighting as simple as it can get. One strobe light and one small reflector that came with the light, one sun.
I placed the light on camera left and high flr about a 45 degree angle down to the flowers. Then it was just a matter of getting the lights power and the aperature correct. Not a lot of post processing needed to get the affect of sunlight on the flowers. I used a small black v flat at an angle behind. Simple lighting is the best.
Light is everything and some times it is just too much. This statue in the China Store at Epcot presented some real color balance challenges. There was enough light it just was of several different color temperatures.
The original capture was quite warm with the statue being almost orange. After sampling several different areas this was about the best I could do. I think there was incandescent lights, probably some hot halogen spots and from behind me an open doorway bringing in daylight. As you can see there a a blue cast to most of the statue while the midsection is orange. And then there is the magenta cast on the shoulders. There wasn’t one color temperature that covered all the lights. But is this a throw away image? Nope, time for black and white.
Because this raw file came from a Fujifilm X-T2 I had access to the all the Fujifilm ACROS2 Film Simulation profiles from within Lightroom. For the conversion I used the Acros+G filter simulation.
I have to admit I love color images but sometimes I just have to surrender to the black and white muse. The Fujifilm ACROS simulations are just stunning. The tonal ranges are so mellow. Images you can eat off of.
I applied the ACROS+G simulation right over the above image. I then moved the image into Photoshop as a smart object where I applied Google’s Nik Color Effects Pro 4 to the image for Pro and Tonal Contrast1. Just works.
1 I got the Pro and Tonal Contrast Recipe from a KelbyOne class on processing aviation images by Moose Peterson. While Moose uses the recipe for bringing out detail on aircraft, it seems to work on just about any image. 2I couldn’t decide if ACROS was supposed to be all caps or not. In lightroom it is so I updated the post to ACROS.